Month: February 2017

The Hollow Crown’s “2 Henry VI”: Perspective and Personal Sovereignty

The second episode of the new Shakespearean miniseries, The Hollow Crown: The Wars of the Roses, makes clear that the producers concretely thought about what the television serial medium can offer these plays beyond production values. While the first episode employed the editing technique of cross-cutting to underscore the ways in which a king might be slingshot between factions (thus rendering his decisions always in terms of a lesser evil), the second episode, “2 Henry VI,” uses point-of-view (POV) framing to suggest the consequences of a government dictated by personal motivations rather than that of the commonwealth.